Many of the works we see on display in museums, from African masks and Buddhist statuary to Chinese bronze vessels and Egyptian relief carvings, were not simply considered “art” in their original contexts. Though they were often created to be pleasing to the eye—in many instances, the most expensive and precious materials available were used—these works were primarily intended to provoke and activate much more profound feelings or emotions related to the spiritual, and were frequently intended to facilitate communication with participants beyond the human realm.
This research seminar aims to explore and restore the use contexts, performative spaces and architectural frameworks that are frequently lost when works of visual culture are hung on museum walls or placed within a glass case. We will read about anthropological and art historical approaches to art and ritual and analyze case studies of the ways in which ritual practice, both sacred and secular, can be integral to our understanding of how the works of art were created, used, viewed and experienced across global contexts. Your research project in this course will focus on an object chosen from Union’s own rich collection of works.